بررسی هویت سازی از طریق بررسی جایگاه خواننده بر مخاطب

- Ayerroff, Jeff, (2000), “Thirty Frames per Second; The Visionary Art of the Music Video”, Adams, New York

- Butler, Jeremy G. , (1991), “Star texts: Image and Performance”, Wayne State University Press, Dertroit, PP. 49-66.

- Cavell, Stanley, (1979),”The World Viewed”, Harvard University Press, Cambridge

- Cook, David, (1995),”A History of Narrative Film”, W. W, Norton & Company, New York

- Dyer, Richard, (1979), “Stars”, British Film Institute (BFI) Publishing, London.

- Goodwin, Andrew, (1993), “Dancing in the Destruction Factory”, Routledge, London.

- Gunning, Tom, (1991), D. W. Griffith and Origin of Narrative Cinema, University Press of Illinois, Urbana.

- Hall, Stuart, (1991), “Postmodernism or the Cultural Logic of Late Capitalism”, Duke University Press, Durham.

- Kaplan, Ann, (1989), “Rocking Around the Clock”, Routledge, London.

- Kinder, Marsha, (1984), “Music Video and Spectator: Television, Ideology and Dream”, Film Quarterly, Vol. 38, No. 1, University of California Press, PP. 2-15.

- Middleton, Richard, (2002), “Studying Popular Music”, Open University Press, Bukingham.

- Mulvey, Laura, (1988), “Feminism and Film Theory”, Routledge, New York.

- Shore, Michael, (1984), “The Rolling Stone Book of Video”, Sedgwick & Jachson Ltd. , London.

-Williams, Raymond, (1990), “Television Technology and Cultural Form”, Routledge, London.

- Vernallis, Carol, (2004) “Experiencing Music Video: Aesthetics and Cultural Context”, New York, Columbia University Press.